Tuesday, January 11, 2011

Evening standard article on digital print in fashion 13th october 2009


Digital prints have the wow factor
Karen Dacre
13 Oct 2009




That every fashion editor scribbled the phrase "digital prints" into her moleskin-covered notepad during this year's autumn/winter shows is a given.

Apparent on dresses, coats and trousers, this was a trend so bold it was impossible to miss.

Gallery: Digital print designs

But what does digital printing actually mean? In short it requires that designers use state-of-the-art software programs containing reams of characters and colourways to create designs that are propelled, via ink-jet printer, onto their chosen fabric.

The technique was pioneered by Brazilian/British design duo Basso & Brooke, who made history at the inaugural Fashion Fringe awards in 2004 as the first brand to create a collection that relied on digital prints throughout.

At this year's shows, Greek designer Marios Schwab's creations - a stunningly successful 3D-effect print on a series of crystal-embellished double-layered dresses - were a fitting advertisement for this most modern of techniques.

Peter Pilloto combined chunky embroidery with atmospheric prints to create sculpted skirts and dresses, while newcomer William Tempest went all out on detail.

Using digital photographs taken at Hampton Court Palace, Tempest was able to create prints so bold and full of movement that the simple fabric they were printed on morphed into shimmering velvet as the models walked down the catwalk.

Established designers such as John Galliano and Alexander McQueen do incorporate digital aspects into their work but it is very much a game for youngsters for now, with Schwab, Tempest and Sarah Brown's designer du jour, Erdem Moralioglu, ahead of the pack.

"Digital printing has levelled the playing field," says Philip Delamore, director of the Digital Studio at the London College of Fashion.

"Emerging designers can compete with large established houses without having to have the huge investment required with other techniques.

"Printing digitally means the cost of printing one or a thousand colours in an image is no different."

The high street is right behind this new generation of design. Versions of Erdem's digital florals are everywhere, while more progressive brands such as Topshop and ASOS are experimenting with their own techniques.

Whistles has a lovely selection of muted florals on soft silk dresses and tops, and Schwab fans can head to Oasis for a long-sleeve abstract-print mini-dress, clearly inspired by his collection.

Whether you opt for a smudgy leopard-skin, a trad floral or a kaleidoscopic that leaves your head in a spin, one thing is certain - the future of fashion is digital.

Gallery: Digital print designs
http://www.thisislondon.co.uk/fashion/article-23755803-digital-prints-have-the-wow-factor.do

Trend Research:











I have been looking at Textura 2011 and also Textile View Magazine 2011 and summer 2012. They are vibrant colours coming in for summer 2012 and it seems that digital print and abstract over the top designs are key. Geometric patterns are in too alongside paint and blur effects. I have found it very helpful to look at trend predictions for the next two years because it helps me to figure out where my designs and my style will fit into the world...

Monday, January 10, 2011

Inspiration and research : Abstract and geometric trends 2011










Digital prints on catwalk
Riot of colour from Cacharel
Large Abstract blurry prints from Ellie Saab
Bold impact print on skirt from Rag and Bone
Abstract digital print from iceberg
Silk digital print with bold abstract design from Etro